Bangladesh is a country famously known for its well preserved culture. The country still proudly holds most of its country’s ancient culture along the generations that passed. The country’s cultural history was brought to Bangladesh from its early inhabitants who through the generations carried in the many cultural diversities and cultural groups of the country.

One of the country’s well-preserved ethnicity is the Bangladeshi’s cultural dance. The country’s cultural dances are common to the Middle Eastern dances. These cultural dances are associated with weddings and certain activities like harvesting, planting, fishing and others which mirrors the Bangladeshi’s way of life.

There are many cultural dances in Bangladesh, and each occasion has requires a specific dances. Here are some of the cultural dances of Bangladesh:

• Chhau dance – which is a form of masked dance performed in the western regions of Bengal. It is a martial arts dance wherein the dancers wear attires together with swords and shields. Each dancers portray different characteristics and roles such as gods, demons and animals. It is more like a dance role playing. Chhau dance can be performed during any occasions.

• Chhokra dance – performed by young Bangladeshi boys portraying the roles of women. The dance is presented in an open field preferably in a canopied stage. The Chhoka dance is accompanied by a large team of singers and musicians who are commonly seated on the sides of the stage.

• Lathi dance – is a stick dance performed during the Muharram celebration which is the “Sacred month” of the Islam. This is celebrated during the fist month of the Hegira or the Islamic calendar. This dance is performed by youth groups that wear tight-fitted clothes and carry daggers, swords and cymbals.

• Kali dance – performed by a dancer wearing a black mask and representing the character of the goddess Kali who is a Hindu goddess which is said to be associated with eternal powers. Kali is known to be the goddess of time and change. The drum is the main instrument being played during the Kali dance.

• Ghatu dance – performed with accompanying Ghatu songs which are Bangladesh native folk songs. The name Ghatu was derived if the name Ghat which means ‘river bank’. The Ghatu dance was mainly for entertainment and is not a religious dance. This is a form of dance performed by young boys dressed like girls which are the main attraction of the dance.

There are other numerous cultural dances in Bangladesh. These dances each are very entertaining and fun to watch. Dances are still being performed these days, which is one of the main attractions in Bangladesh.

The presented information reveals that the tendency of low labour charges is the key reason for the transfer of garment manufacturing in Bangladesh. The practice initiated in late 1970s when the Asian Tiger nations were in quest of tactics to avoid the export quotas of Western countries. The garment units of Bangladesh are mainly relying on the ‘tiger’ nations for raw materials. Mediators in Asian Tiger nations build an intermediary between the textile units in their home countries, where the spinning and weaving go on, and the Bangladeshi units where the cloth is cut, sewn, ironed and packed into cartons for export. The same representatives of tiger nations discover the market for Bangladesh in several nations of the North. Large retail trading companies placed in the United States and Western Europe give most orders for Bangladeshi garment products. Companies like Marks and Spencers (UK) and C&A (the Netherlands) control capital funds, in proportion to which the capital of Bangladeshi owners is patience. Shirts manufactured in Bangladesh are sold in developed nations for five to ten times their imported price.

It is essential to identify the outcomes of the process of moving production from high pay to low pay nations for both developing and developed nations. It is a bare fact that most of the Third World nations are now on the way to industrialisation. In this procedure, workers are working under unfavourable working environment – minimal wages, unhealthy place of work, lack of security, no job guarantee, forced labour etc.

The route of globalisation is full of ups and downs for the developing nations. Relocations of comparatively mobile, blue-collar production from industrialized to developing nations, in some circumstances, can have troublesome effects on social life if – in the absence of efficient planning and talks between international organisations and the government and/or organisations of the host nation – the transferred action encourages urban-bound relocation and its span of stay is short. Another negative result is that the rise in employment and/or income is not expected to be satisfactorily large and extensive to lessen inequality. In connection with the negative results of relocation of manufacturing on employment in developed countries, we realize that in comparatively blue-collar industries, the growing imports from developing nations lead to unavoidable losses in employment. It is held that development of trade with the South was a significant reason of the disindustrialisation of employment in the North over past few decades.

A research reveals that 90 percent of the garment employees went through illness or disease during the month before the interviews. Headache, anaemia, fever, chest, stomach, eye and ear pain, cough and cold, diarrhoea, dysentery, urinary tract infection and reproductive health problems were more common diseases. The garment factories gave bonus of different diseases to the employees for working. With a view to finding out a link between these diseases and industrial threats, health status of employees has been examined before and after coming in the garment work. At the end of examination, it was come out that about 75 percent of the garment workforce had sound health before they entered the garment factory. The reasons of health declines were industrial threats, unfavourable working environment, and want of staff facilities, inflexible terms and conditions of garment employment, workplace pressure, and low wages. Different work-related threats and their influence on health forced employees to leave the job after few months of joining the factory; the average length of service was only 4 years.

The garment sector is disreputable for fires, which are said to have claimed over 200 lives in the past two years, though exact figures are tough to find. A shocking instance of absence of workplace safety was the fire in November 2000, in which almost 50 workers lost their lives in Narsingdi as exist doors were closed.

From the above analysis of working atmosphere of garment sector, we can state that the working environment of most of the Third World nations, particularly Bangladesh remind us of earlier development of garment industries in the First World nations. The state of employment in many (not necessarily) textiles and clothing units in the developing nations take us back to those set up in the nineteenth century in Europe and North America. The mistreatment of garment employees in the birth period of the development of US garment factories reviewed above is more or less same as it seen now in the Bangladesh garment industry. Can we state that garment employees of the Third World nations living in the 21st century? Is it a return of the Sweatshop?

In a way, the Western companies are guilty of pitiable working atmosphere in the garment sector. The developed nations want to make more profit and therefore, force the developing nations to cut down the manufacturing cost. In order to survive in the competition, most of the developing nations select immoral practices. By introducing inflexible terms and conditions in the business, the global economy has left few alternatives for the developing nations.